The Horse’s Mouth (Neame, 1958)

A recent rewatch of The Ladykillers led to a first watch of Ronald Neame’s Alec Guinness vehicle, The Horse’s Mouth. To say the famous actor had comedic chops is an understatement. His turns in most things-Ealing are brilliant. It’s odd then that the Neame film works much better as a drama than a comedy.

Guinness is Gulley Jimson, a vagabond artist, somewhat renowned in his native England, but also an aggressive drunk and nothing close to a law abiding citizen.

There are some great gags in the film, like when Capt. Jones (Reginald Beckwith – who steals the show as the funniest character in here) just tries to drink his pint-

Screen shot 2015-03-27 at 1.35.23 PM

-but the head of it is blown over by Gulley barging in through the door:

Screen shot 2015-03-27 at 1.35.12 PM

There’s also plenty of anarchic fun, mostly towards the middle of the film, when Gulley and a few friends destroy a wealthy couples’ apartment in the name of art:

Screen shot 2015-03-27 at 1.36.36 PM Screen shot 2015-03-27 at 1.36.49 PM

But the strongest parts of The Horse’s Mouth are when Gulley is introspective about his own work and how to make his mark.

Screen shot 2015-03-27 at 1.33.31 PM Screen shot 2015-03-27 at 1.33.42 PM Screen shot 2015-03-27 at 1.33.51 PM

It’s not so much a knock on a slip in Guinness’ ability as a comedian, but more a testament to his dramatic character.Neame’s style is unshowy and doesn’t add much to the picture. He lets Guinness and the source material do much of the work. It’s actually a side character who gets the funniest line: “I can honestly say I’m the last person in the world to harbor thoughts of revenge, but I would like to cut off Jimson’s head with a meat axe.”

And so it’s the final act (and though the final several scenes are close to corny, they’re also adventurous and rebellious in the spirit of the whole film) that works best. There’s a marked change in that act, downshifting from slapstick anarchy to subdued introversion.


About dcpfilm

Shooting, teaching, writing and watching the Phillies.
This entry was posted in Uncategorized. Bookmark the permalink.

2 Responses to The Horse’s Mouth (Neame, 1958)

  1. John Charet says:

    Love the post:) You are so right about Alec Guinness being a genius at comedy. As far as comedy goes, I think his genius first became apparent with 1949’s Kind Hearts and Coronets in which he plays I believe seven different characters. Again, I do not know If that was his first experience with comedy, but If it was, all I can say is he had already perfected it. Anyway, I have a new blog post on my site entitled in regards to my favorite John Waters films. Here is the link below:

    • dcpfilm says:

      Thanks, John! Sorry for the delayed reply here. You know, I really doubt that The Horse’s Mouth will stick with me. It kind of hasn’t already. A nice piece of history, but I can’t say I loved it in the end.

      Gotta love a John Waters post! I should rewatch Female Trouble.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s